Showing posts with label Eco Consulting Eco Media. Show all posts
Showing posts with label Eco Consulting Eco Media. Show all posts

R20 Regions of Climate Action and Leonardo DiCaprio Foundation Partner to Accelerate Climate Change Solutions

Supports Secretary-General Ban Ki-moon's call to increase investment in climate projects
 
 
GENEVA and LOS ANGELES - 26 May, 2016 - Following the April signing of the Paris Agreement, R20 Regions of Climate Action "R20" and Leonardo DiCaprio Foundation "LDF" announced the formation of a new partnership to rapidly identify and fund projects that address the urgency of climate change.
 
Financially supported by LDF under a new $650,000 grant, this partnership allows R20 to rapidly identify renewable energy, energy efficiency and waste management initiatives that have the potential to bring positive environmental and social benefits to communities across the globe, and ultimately reduce carbon emissions. Under this framework, R20 will develop and construct these projects, as well as measure and report on their impact.
 
Together, R20 and LDF are following the mission of the Cities Climate Finance Leadership Alliance"CCFLA," which was launched by UN Secretary-General Ban Ki-moon in 2014 to encourage investment in low-emission, climate resilient infrastructure in cities, and to close the investment gap in climate friendly projects in urban areas over 15 years.
 
"I commend LDF and R20 for supporting the goals of the CCFLA. Partnerships like this one strengthen the effort to unlock billions of dollars of private investment in projects that will urgently address climate change," said Secretary-General Ban Ki-moon. "I thank them for their commitment to our environment, and to the future of humanity."
 
"The Paris Agreement was an important first step for reducing global carbon emissions, but there is more that must be done to accomplish this important goal. Our partnership with R20 is a signal that it is also the responsibility of private organizations to take up the charge of accelerating the adoption of climate-saving technologies, worldwide," said Leonardo DiCaprio, Chairman of Leonardo DiCaprio Foundation. "We call on others to follow our lead because our planet is quickly running out of time."
 
R20 was founded to support governments and communities in the identification, preparation and financing of green projects to lower greenhouse gas emissions and help the world transition to a green economy.
 
"R20 and LDF share an unwavering commitment to taking bold action on climate change by supporting proven solutions that will impact real change for our planet," said Christophe Nuttall, Executive Director of R20. "With the support of our partners at LDF, we will help set a model for CCFLA members, governments and organizations to take action to develop their own climate solutions in all parts of the globe."
 
 
R20 was named the Secretariat for the CCFLA in partnership with World Fund for Cities (FMDV), United Nations Environment Program (UNEP) and the United Nations Development Program (UNDP) in January 2016.
 
# # #
 
About R20 Regions of Climate Action
 
R20 Regions of Climate Action is a non-profit organization founded in 2010 by former Governor Arnold Schwarzenegger and other global leaders in cooperation with the United Nations.
 
R20 is a coalition of partners led by regional governments that work to promote and implement projects that are designed to produce local economic and environmental benefits in the form of reduced energy consumption and greenhouse gas emissions; strong local economies; improved public health; and new green jobs. These local actions can help the world achieve our shared global environmental and economic goals.
 
For more information visit www.regions20.org 
 
About Leonardo DiCaprio Foundation
 
Since 1998, the Leonardo DiCaprio Foundation ("LDF") has been on a mission to protect the Earth's last wild places, implementing solutions that restore balance to threatened ecosystems, and ensure the long-term health and wellbeing of all its inhabitants.
 
Through grant making, public campaigns and media initiatives, LDF brings attention and needed funding to three areas: protecting biodiversity, ocean & forest conservation, and climate change. The Foundation works in close collaboration with a broad network of environmental leaders and experts, effective organizations, and committed philanthropists to identify and support innovative, results-driven projects in the world's most wild and threatened ecosystems. Currently LDF supports over 70 high-impact projects in more than 40 countries around the world. 

For more information visit: www.leonardodicaprio.org.  
 
The Leonardo DiCaprio Foundation is a component fund of the California Community Foundation.


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Think Like A Man Thinks Green

In time for Earth Day 2012, Sony Pictures RELEASES FIRST-EVER INDUSTRY PRODUCTION USING COMPLETELY ENERGY-EFFICIENT LIGHTING

Culver City, CA (April 19, 2012) - As an industry leader in environmental innovation, Sony Pictures has long experimented with energy-efficient light sources and technologies for use in its productions. But for the Screen Gems feature Think Like a Man, Sony Pictures took its efforts a step further and reached an industry first by using 100 percent energy-efficient (LED) lighting sources on the production.

Greening_hollywood_think_like_a_man_poster

“Sony Pictures is committed to making great content with a smaller and smaller energy footprint, and Think Like A Man is a great example of Screen Gems’ continuing tradition of actively reducing the impact and waste of a major feature film production,” says Gary Martin, President, Production Administration, Sony Pictures Entertainment.

Conventional lighting for a motion picture requires a significant amount of energy to run and generates a lot of heat on set. This, in turn, must be cooled using air conditioning, requiring additional control equipment. Compared to a conventional incandescent bulb, however, LED lighting can generate over four times the amount of light with the same amount of energy (over four times the lumens per watt), and is also able to maneuver into tighter spaces and be transported more efficiently.

“Lighting is a crucial component in the visual art of filmmaking and brings to life the emotions of a story. LED and other energy-efficient types of lighting, when designed well, can be more efficient, easier to set up, versatile and longer lasting while still providing the visual aesthetic necessary for film production,” says Glenn Gainor, Senior Vice President, Physical Production, Screen Gems.

“Although not perfect, energy-efficient lighting is making great strides. We were excited to incorporate this industry-first in lighting into our production, and look forward to continuing to work with manufacturers to test and improve the technology,” says Mason McConnell, Executive Director of Set Lighting for Sony Pictures.

In addition to many other efforts, Think Like a Man further greened the filming by shooting the entire production in locations near the studio lot, cutting both transportation requirements as well as the need to construct sets. It also used many environmentally-friendly products and processes in the daily administration of the film.

Twitter @GreeningHollywd

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Revenge of The Electric Vehicle

Friends!

I'm pleased to announce that our new doc, Revenge of the Electric Car, begins its national theatrical rollout next week starting October 21 in LA and NY and then in 20+ cities over the next month (see list below).

If you're in Los Angeles, please join us for our opening week launch at Landmark's NuArt and our Opening Weekend Airstream Lounge Party!

Opening Week Screenings
11272 Santa Monica Blvd, West LA, CA 90025

Fri–Sat-Sun: 12:30 PM, 2:50, 5:10, 7:30, 9:50 (Oct. 21-23)
Mon-Thurs: 5:10 PM, 7:30, 9:50 (Oct. 24-27)

Tickets available now via this site:
https://tickets.landmarktheatres.com/ticketing.aspx?theatreid=209

Opening Weekend Airstream Lounge Party
Sat-Sun: 2PM - 10PM

To support our opening weekend in LA on October 22-23, we're bringing in the electric cars from the movie and setting up shop in a vintage Airstream around the corner from the NuArt Theater. You'll find us next to Sideshow Books at 11323 Idaho Avenue. The Airstream Lounge is our all weekend drop-in cast and crew party for friends, media makers, and well-wishers. Come on by anytime from 2:30PM to 9:30PM to say hello to Gadget, Scarlett and other stars from our team, check out the EVs (Tesla, Leaf, Volt and Porsche), and hang out with us between screenings

Co-Host a Screening at a Theater

If your group would like to co-host one of our public screenings at the NuArt (or anywhere else during run of theater), we'll try to set it up with you. Choose a show-time from the list above (if LA), then send us an email and let us know about how many people you'd like to host. We'll try to arrange to have a Q&A with someone from the film there with you at your show. So far we have screenings with Causecast, Bioneers, GADA, LA Burning Man, the Black Rock Yearbook, Plugin America and Global Green.

Thanks to everyone for spreading the word and making our opening week a success!

Best,

CHRIS PAINE
Director

From the Director of ‘Who Killed the Electric Car?’
Revenge of the Electric Car “Riveting... Highly entertaining” John Lopez, Vanity Fair
Revenge of the Electric Car
Facebook Twitter Youtube
You Can’t Kill An Idea Whose Time Has Come.
View Exclusive Clips on Youtube Mr. Detroit--Bob Lutz, General Motors The Warrior--Carlos Ghosn, Nissan Rocket Man--Elon Musk, Tesla Motors The Outsider--Greg Abbott, Left Coast Electric
Watch the Trailer
Spread the Word
Forward to a Friend FORWARD THIS
TO A FRIEND
Twitter SHARE ON
TWITTER
Twitter POST ON
FACEBOOK
Set Up a Group Screening
BRING YOUR ORGANIZATION
TO SEE ‘REVENGE’
Sign Up
Find a Theater Near You
OCTOBER 21ST, 2011
Los Angeles, CA – Landmark Nuart
New York, NY – Landmark Sunshine CinemaOCTOBER 28TH, 2011
Nashville, TN – The Belcourt Theatre

NOVEMBER 4TH, 2011
Berkeley, CA – Landmark Shattuck Cinemas
Boston, MA – Landmark Kendell Square Cinema
Palo Alto, CA – Landmark Aquarius Theatre
Portland, OR – Hollywood Theatre
San Francisco, CA – Landmark Embarcadero
Santa Fe, NM – Center for the Contemporary Arts
Scottsdale, AZ – Harkins Theatres Camelview 5

NOVEMBER 7TH, 2011
Annville, PA – Allen Theatre

NOVEMBER 11TH, 2011
Ann Arbor, MI – Michigan Theatre
Chicago, IL – Gene Siskel Film Center
Detroit, MI – Landmark Main Art Theatre
Houston, TX – Alamo Theatres Mason Park
Minneapolis, MN – Landmark Lagoon Cinema
Sacramento, CA – Crest Theatre
San Diego, CA – Landmark Ken Cinema
Santa Rosa, CA – Summerfield Theatre
Seattle, WA – Landmark Varsity Theatre

NOVEMBER 18TH, 2011
Philadelphia, PA – Landmark Ritz at the Bourse

NOVEMBER 23RD, 2011
St. Louis, MO – Landmark Plaza Frontenac Cinema

NOVEMBER 25TH, 2011
Denver, CO – Landmark Chez Artiste
Washington, DC – Landmark E Street Cinema

DECEMBER 2ND, 2011
Atlanta, GA – Landmark Midtown Art Cinema

JANUARY 5TH, 2011
Honolulu, HI – Honolulu Academy of the Arts

West Midwest Productions
Request the film for your city
 

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The Big Uneasy

The-big-uneasy-490x322

Re-printed from Press Release

In 2005, a disaster struck New Orleans. You know the rest. Or do you?

The media reported that what happened in New Orleans was a natural disaster primarily affecting poor black people. On both counts, the media was wrong. But its inability or unwillingness to report the hard truth – that these tragic floods creating widespread damage were caused by manmade errors in engineering and judgment - has failed both journalism and public safety. For what happened in New Orleans could happen again in other cities across the United States.

On August 16 THE BIG UNEASY will be available nationwide onVOD via all major cable providers, (Comcast, Time Warner, Cox, Charter and Cablevision) broadband VOD portals (iTunes, Vudu, Xbox, and Verizon FIOS) and DVD (Amazon.com).  

Please also check out his website at thebiguneasy.com.

In his feature-length documentary The Big Uneasy, humorist and New Orleans resident Harry Shearer gets the inside story of a disaster that could have been prevented from the people who were there. Shearer speaks to the tireless investigators and experts who poked through the muck as the water receded, and uncovers a courageous whistle-blower from the Army Corps of Engineers. His dogged pursuit of facts reveals that some of the same flawed methods responsible for levee failure during Hurricane Katrina are being used to rebuild the system expected to protect the "new" New Orleans from future peril.

In short segments hosted by actor John Goodman (Treme), Shearer speaks candidly with local residents about life in New Orleans. Together, they explore the questions that Americans outside of the Gulf region have been pondering in the years since Katrina: Why would people choose the live below sea level? Why is it important to rebuild New Orleans?

Shearer's film is also laced with computer imagery that takes you inside the structures that failed so catastrophically, and boasts never-before-seen video of the moments when New Orleans began to flood and the painstaking investigations that followed. Likewise, the film demonstrates what awaits people on the inside who try to report painful truths to the powers that be.

The Big Uneasy marks the beginning of the end of ignorance about what happened to one of our nation's most treasured cities—and serves as a stark reminder that the same agency that failed to protect New Orleans still employs the same flawed science in many other cities across America. Without improvements to engineering and accountability in oversight, the film cautions, we will be very sorry to see history repeat itself elsewhere. Nothing less than public safety is at stake.

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15 Startling Facts about America’s Infrastructure

Re-posted from Original Article HERE

Sadly, things are only going to get worse before they get better, as roads fill with potholes, bridges collapse, and electrical grids brown out with more regularly, all unable to provide for the needs of the populace. If you had any doubts about the sad state of the American infrastructure, read on to learn just how bad things really are.

  1. More than 25% of bridges in the United States need significant repairs or are handling more traffic than they were designed to carry.

    This translates to a whopping 150,000 bridges that aren’t up to snuff. In recent years, bridge and overpass collapses have even led to death. One of the most notable of these was the I-35 bridge in Minneapolis, which collapsed in 2007, killing 13 and injuring 145. If bridges are not updated or repaired, these kinds of accidents could become more common.

  2. An inefficient, heavily overburdened electrical grid results in rolling blackouts and losses of $80 billion a year.

    In a world that relies heavily on technology for everything from health care to business, losing power can be a big deal. In the past decade, huge blackouts have left much of the Northeast and Florida without power for several days. This costs money, time, and can create unsafe conditions for residents.

  3. Over 4,095 dams in America were deemed “unsafe” by the American Society of Civil Engineers.

    This means that they have deficiencies that leave them more susceptible to failure, especially during flooding or earthquakes. The number of dams in the United States that could fail has grown 134% since 1999, and now comprises 3,346 dams nationwide. More than 1,300 of these dangerous dams are considered “high hazard” because their collapse could threaten the lives of those living nearby.

  4. More than a third of all dam failures or near-failures since 1874 have happened in just the last decade.

    The rate of failures is increasing at a disturbingly fast rate, as America’s dams age and deteriorate. Can’t remember any recent dam failures? In 2004, 30 different dams in New Jersey’s Burlington County failed or were damaged after a period of particularly heavy rainfall.

  5. Nearly a third of all highway fatalities are related to substandard road conditions, obsolete road designs, or roadside hazards.

    The Federal Highway Administration estimates that poor road conditions play a role in more than 14,300 traffic fatalities each year

 

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Mark Ruffalo and Orlando Bloom For Global Green USA, June 4, 2011 Santa Monica

<p>Mark Ruffalo and Orlando Bloom For Global Green USA, June 4 2011 Santa Monica from Greening Hollywood on Vimeo.</p><p>"Be The Change" - Ghandi :  This past weekend  Orlando Bloom, Mark Ruffalo, Ed Begley Jr., Adrian Grenier, Mary Leslie (LABC), Jamie Lee Curtis, Kevin and Mrs. Bacon, and many more turned out for the 2011 Global Green USA Millennium Awards in Santa Monica this June in support of environmental efforts.</p>

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Evolve Love Live - Legacy of Climate Crisis

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COULD THE CLIMATE CRISIS CREATE THE GREATEST LOVE STORY ON EARTH?

“Evolve Love: Love in a Time of Climate Crisis” is a creative feature documentary (in progress) that will take us on a voyage to discover the ways in which planet wide climate catastrophe could propel us into a sustainable future founded on empathy for all life on earth.

Chronicling the birth of a global “movement of movements” forming to confront climate change, EVOLVE LOVE will reframe the despairing, apocalyptic narrative that is dominating popular discourse around the crisis, transforming it into a moving love story.

The film will feature compelling stories of everyday individuals who are living with the devastating impacts of climate change, while taking us through to the emerging “BRIGHT GREEN” sustainability movement, which offers the energizing confidence of constructive solutions and action, showing that we can reduce our ecological footprint while improving our lives.

With director Velcrow Ripper’s signature awe inspiring visuals, a powerful soundscape, compelling animation, moving stories of crisis, restoration and sustainability, combined with the wisdom of the greatest climate crisis visionaries, EVOLVE LOVE will be an inspirational, transformative and engaging viewing experience.

When: May 23, 2011, Doors 6:15 pm, Start 7:00 pm

Where: Vic Theatre, 808 Douglas St., Victoria, BC


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Becoming Part of A Carbon Nation

Becoming Part of a Carbon Nation

 

by: Cliff Etheredge, Guest Blogger

 

www.carbonnationmovie.com

Cliff

My story begins in the spring of 2004. I had been a cotton farmer in the Roscoe area for almost forty years. The land I worked was all family land acquired since the 1920s.


I lost my right arm in a farming accident in 1972. Although this was a traumatic and life-changing experience, I continued farming because I was devoted to the land and my family's legacy of farming.

I was one of the lucky ones in that our son Scott decided to come home after graduation from college and become involved in our farming operation. His participation enabled me to study a couple of other interests, one being the building of wind farms on some of the ranch land in our county.


Since our land is all farmland located on a geographic region that has traditionally been plowed, and ranchland being the accepted area for wind farm development, I had to confront issues that had not been entertained before. Two of these issues were the large number of landowners and the small tracts of land. Much discussion and a savvy attorney helped satisfy the investor that these and other questions could be handled.


After holding many informational meetings we organized a landowners association. I then found a developer and attended a Finance and Investment workshop in New York City that resulted in contact with a potential wind farm partner in Chicago. A few months later our association was presented with a contract offer that, after negotiation, was accepted.


Construction of the Roscoe Wind Farm began in 2006 and was completed in 2009 with over six hundred windmills capable of supplying electricity to 265,000 homes. On June 15 of 2009 the Roscoe Wind Farm became the largest on the planet.


The benefits of the wind industry in our rural community spill into four counties and four school districts. Towns and cities for hundreds of miles in every direction feel the economic impact of these giant three-winged birds flying into the wind.


The publicity we have received from being the number one wind park in the world has given us the opportunity to contribute to the renewable energy industry in many ways. The most significant and far-reaching media event has been being included in the film Carbon Nation. This message to the American people is certainly timely and relevant in that the focus of the film is to provide a few solutions to the problems and answers to the questions plaguing our environment.


I strongly feel that as long as the general public is receiving correct information as in the form of Carbon Nation, we will be competent in guiding our leaders in protecting our planet.

 

Cliff Etheredge is a wind farmer in Roscoe, Texas. He is featured in the documentary CARBON NATION, which will open in theatres in New York on February 11 and in Los Angeles on February 18. For more opening cities and dates, visit www.carbonnationmovie.com

 

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Green Film Sets Q&A with Ryan Pomeranz, Director/Producer

The Following Q & A with filmmaker Ryan Pomeranz was re-posted from Production Hub...

Q: What was the inspiration for Theodore is Dying and why did you decide to go green for this project?

A: Theodore is Dying (TID) was made as part of an MFA program at UCF in "Entrepreneurial Digital Cinema." I knew I wanted to do a feature once I got my BFA and the program at UCF gave me the means to do it. It's amazing how much a mandate and a deadline can act as inspiration. 

Theodore is Dying tells four different stories dealing with themes of death and rebirth, which is something I knew I wanted to explore when I started writing it. I think it's a normal part of life to hit these points of demarcation where you can draw a line and say "this is where everything changed." Whether it's the loss of a loved one, or the end of a long-term relationship, or whatever, at some point you're going to have to pick up and start over, and that's what each character in the film is faced with.

Q: What kind of equipment did you use for this film and how did it affect the going green initiative?

A: We shot HD on the Sony EX-3. Obviously shooting digitally is more environmentally sound as opposed to shooting on film. You end up avoiding the use of environmentally damaging materials that are used to both make and process the film. Our first goal when deciding to shoot digitally was (like most people I would assume) to keep costs down. 

Q: What was the budget for this film and how did you achieve success on such an “ultra-low budget”?

A: The budget for TID was $35,000. Certainly the reason we had a successful shoot comes from the incredible crew we had working on the film. It was important to us (Producer Allie Kenyon and I) to surround ourselves with people that we had worked with before and/or had absolute confidence in. Making a film with this small of a budget, in a somewhat unfamiliar location, comes with an extra set of challenges, but having a talented dedicated crew can absolutely make the difference between whether those challenges are surmountable or not. 

Q: What are some tips that you could give other filmmakers working on feature films with low budgets?

A: This is sort of a hard question to answer because I feel like every situation is different. Once again I would say making sure you surround yourself with people you trust is one of the most important things you can do. As a director or a producer you're not going to be able to handle every "fire" that flares up, so having a great production manager and a great 1st AD (We had the amazing Meredith Kaulfers and Alix Duggins respectively) is absolutely essential. 

My other advice would be to make the film as "above the table" as possible. This isn't to say you shouldn't steal shots when you need to, but the more preparation and paperwork you finish in pre-pro, the less hassles and potential legal pitfalls you'll face when it's time to distribute or even (God forbid) sell your movie. We had a great lawyer that was willing to work with our budget and our specific situation. Shop around because many entertainment lawyers are willing to work with first time filmmakers. The last thing you want is to end up with an amazing film you can't do anything with. 

Q: Would you encourage other filmmakers to go green on set? What are some tips for making a set more eco- friendly?

A: I absolutely would recommend that filmmakers try to make their films in as sustainable a way as possible. Beyond sleeping better at night, we were also actually able to save money in production by going green. It's also been incredibly useful as a marketing tool.  Read MORE...

Greening Beauty

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