Showing posts with label Gina Hall. Show all posts
Showing posts with label Gina Hall. Show all posts

Produced By Conference 2011 At Disney Studios - Digital Is The New Green

By Gina Hall

Gina Hall
is a Los Angeles-based writer. Follow her on Facebook. [Bio Cont'd Below...]

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The third year of the Produced By Conference brought more than 2,200 people to the Disney lot in Burbank on June 4th and 5th. There was no shortage of star-powered panels and discussions on "green content" but the focus ultimately centered on emerging digital technology. The hope is that digital technology can usher in a more sustainable era to the industry by reducing our print and production materials and changing the distribution model from one that requires delivery of a print to one that is beamed into the theater or home.   
Highlights of the conference included the Bleeding Green: Content with a Cause panel, which featured a conversation on developing documentary material with a green agenda. Panelists included Lesly Chilcott, producer of Waiting For ‘Superman’ and An Inconvenient Truth, and Fisher Stevens, producer of The Cove. 

Again, the focus centered on how digital media has become the biggest asset to the "green filmmaker" in all areas; financing, raising awareness, filming and distribution. Twitter, Facebook and blogs have become the go-to method for finding an audience and online channels plus Netflix a preferred distribution outlet. The glut of eco-content has become an issue, but the overwhelming sentiment was one of optimism in getting these issues out to a broader audience.  

Raising Your Tentpole proved to be another popular panel, apparently many aspiring to bypass the slow ascent to success and jump straight into developing and producing franchise faire. Panelists incl
uded Gale Anne Hurd, Bonnie Arnold and Kevin Feige, among others, as they discussed the ups and downs of creating content through the studio machine.
Perhaps more useful to the indie producer was the panel Plugged In: The Socially Networked Producer where Elias Plishner, Sony Senior VP of Digital Marketing who headed up the Social Network campaign, told the audience that it's never too early to start engaging fans of your project through social media channels to build "pre-awareness." Not surprisingly, the panel discussed how actors are cast based on their Twitter following as it is assumed that that will become part of the marketing package.
Meanwhile, in the conversation panel with Harvey Weinstein and Mark Gordon, the view on internet distribution and Video on Demand (VOD) was lukewarm. Both Weinstein and Gordon expressed that while it is the future, the current business model should continue to focus on the theatrical release.
A major announcement from the conference came from the CEO of Scenios, Mark Davis, who unveiled that their production management software will now be available entirely in "the cloud." This type of platform will allow production teams to collaborate from pre-production through production and then into post and will include a collection of apps that manages items like the script, budget, locations, shoot schedule, call sheets, dailies and rough cuts.

With this movement toward cloud computing, digital distribution, and online marketing, the move toward the industry consuming less is yet to be seen. In the near future, the industry's net consumption of paper screenplays, plastic DVD cases and oil to shuttle prints to theaters may go down, but electronics require a massive amount of conflict metals and create toxic eWaste (and let's not get started on production offices and sets slow to phase out plastic water bottles and disposable Starbucks cups).
Whatever the future may bring, it's coming quickly and next year's conference can't come fast enough.     

Gina Hall writes for publications such as Greening Hollywood, as a guest blogger, Culver City News, AskMissA.com and TheScoopLA. She graduated from the University of Southern California with a degree in Cinematic Arts and has worked in the entertainment industry on documentaries and features, as a development executive and as a writer. She works with environmental organization Global Green USA whose efforts are primarily focused on fighting global climate change through policies, advocacy and education. 

Eco Consulting * Eco Media Green Blog Network * Greening Hollywood *




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Film Review: Scarred Lands and Wounded Lives

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By Gina Hall

[Guest Blogger Gina Hall has a Film Degree from USC. Her day job is with Global Green USA in Santa Monica]

The documentary Scarred Lands and Wounded Lives: The Environmental Footprint of War is a shocking revelation of the long-term environmental impact of America's wars over the past century and isn't for those with a weak stomach or who want to pretend we're always the good guys. From hundreds of sunken World War II ships slowly leaking oil, to Agent Orange, to land-mines and cluster bombs that still litter a landscape, the film highlights America's lasting legacy in the war zones we've left behind after declaring "mission accomplished."

Filmmakers Alice and Lincoln Day feature several expert talking-heads who guide the narrative matter-of-factly through our various assaults on the lands in which we wage war. It's not an entertaining documentary, it doesn't use animation or clever editing to engage. It has facts and visual evidence on its side. And if the melted faces of children affected by Agent Orange or the landmine-mangled foot of an elephant doesn't viscerally affect you, then you have a harder heart than mine.

A statistic the film cites is that prior to the past hundred years 90 percent of war victims were combatants and 10 percent were civilians. Now it is the reverse, with 90 percent of victims being civilians to 10 percent actual combatants. The total body counts may be lower, but the documentary makes clear the human costs of spreading "freedom." In addition there's the toll on our coral reefs, water supply, soil, air and just about everything else we need to sustain life on Earth. There's a cringe-worthy moment of footage of a U.S. armed forces official selling the natives around Bikini Atoll on their important contribution to humanity in allowing nuclear bomb tests near their homes.

It becomes clear that people in these conflict areas don't hate us, as Bush said, because of our freedom, they hate us because we're assholes. We seem to have a bad habit of bombing, consuming resources, salting the earth and moving on. The film doesn't look to place blame on our men and women in the armed services, but does shine a light on economic policies that put them there. With documentaries like this, it's getting harder and harder for our government to sell war as the humanitarian act of liberation.  If you have to see the proof for yourself, the images are here and they're not easy to look at.

The film is being aired locally around the country, is available for screenings and on DVD. For more information visit www.scarredlandsfilm.org

Photo Credit: Scarred Lands and Wounded Lives
 

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